Baba’s Song


A vocal journey into the messiness of one woman’s motherhood.

“We were blown away by the show last night!
We’ve both, between us, sat with literally hundreds of women over the years with different stories about motherhood but what you put together just totally expressed the viscerality of new mother hood…the confusion, the push and pull of others needs and voices….just amazing!” – Julianne Boutaleb, Clinical Director and Founder of the Parenthood In Mind

“It truly summed up motherhood. Especially those very early days.  It was wonderful to see such a subject being tackled on stage” – Alexandra Bridger, The Medicated Follower

Blisteringly powerful … I couldn’t breathe for the relevance it mirrored for me! – Angie Belcher, Comedian

Baba’s Song is a wild roar in the woods and a panic attack in Mothercare.

Performed by two women in just a metre squared playing space, Baba’s Song takes us on a thrilling, dark and humorous journey into the experiences of new motherhood, sleeplessness and the restrictions around finding your own voice as a new mother.

Do we need to be mothers to empathise with stories of motherhood? In Our Hands question why that need be the case. Baba’s Song explores the less talked about, yet universal and timeless, themes of motherhood; loneliness, grief and identity. In Our Hands have created Baba’s Song to interrogate why stories of mothers and motherhood are not more commonplace on the stage.

Devised and Performed by Jannah Warlow & Kim Heron, Directed by Emma Williams, Movement direction by Laura Dannequin, Music advice by Verity Standen, Costume by Miranda Pfunder, Lighting by Joe Price (Original design by Chris Collier), Produced by Naomi Lange, Trailer created by Paul Blakemore and Benjamin Hooper


Camden People’s Theatre “Calm Down, Dear” Festival

7:15pm 11-12 June 2019

The Wardrobe Theatre – Bristol

7:30pm 21-22 June 2019

Bluebell Care – Bristol

4-5 July 2019 (by invite only)

The Straw Kitchen – Whichford

7:30pm 20 July 2019





Special thanks to: Bristol Ferment, Theatre Bristol, Theatre Orchard & Theatre Shop

In Our Hands


In Our Hands

Having spent the past two years in close collaboration, the core team have developed a dedicated and supportive working relationship, both in solidarity to one another as parents, but also as co-creatives passionate about working and raising families simultaneously – and most importantly gaining an awareness that these must and should go hand in hand.

Through working intensively as an ensemble on the full production of Baba’s Song, the team is nourishing their unique working dynamic and have recently formed a fully-fledged theatre company, In Our Hands Theatre.


Jannah Warlow

Jannah Warlow is an actor, singer and musician who trained at The Royal Central School of Speech and Drama. She has a strong track record of successful collaborations as a freelancer in the creative industry. She has recently led music direction and the community choir on MathildaMathilda (Soap Soup Theatre), performed in Oedipuss in Boots (The Wardrobe Theatre, devised in Verity Standen’s company for the Mayfest 2018 commission ‘Undersong’. Working with Verity on various projects has enhanced her skills as an a cappella singer, performing complex vocal compositions. Other collaborations include The Bristol Old Vic Theatre, Pickled Image and Giffords Circus. Jannah was a 2015 Wales Theatre Award nominee. Read more…


Kim Heron is an actor, musician and theatre maker. She studied Lecoq based acting and devising at LISPA. She has recently worked with the Tobacco Factory Theatre Company, Theatre Ad Infinitum as an actor and musician, has created puppetry productions with Green Ginger and Platform 4 and worked with Concert Theatre, Open Attic, Freedom Studios, Pif-Paf and Mufti Games. Read more…

Naomi Lange

Naomi Lange, ‘Baba’s Song’ Creative Producer, is a physical theatre performer who studied at LISPA. She has experience of working  in the charity sector, recently as the treasurer for UK Buddhist charity, Reg. 1019886. Prior to maternity leave, she initiated an alumni volunteering programme at UWE Bristol and a large event for alumni volunteers. She recently organised a weekly ‘baby co-op’ for Bristol artist parents to meet and support each other to create work. Read more…

Emma Williams, Director

Emma Williams is a Bristol based director. Her work ranges from large outdoor spectacles to small intimate studio productions. She is interested in making work that reflects the tragic and hysterical world we inhabit. Directing credits include The Castle Builder and A Little Death by Vic Llewellyn and Kid Carpet, Intronauts by Green Ginger and She’s a Good Boy by Elise Heaven.

Our work

Creative Industry Mothers

In Our Hands has been founded by three new mothers with a drive to continue making high quality theatre alongside our new responsibilities as parents. Many women stop working in the performing arts after becoming mothers, of course for some this is a choice but for many it is down to working in an industry that is not set up to accommodate the needs of parents, especially mothers. Anti-social hours, travel away from home, financial instability and childcare issues are just a few of the challenges mothers face when going back to work after having a child.

There are some great organisations and networks (like PiPA and Mothers who Make) who are making changes to the industry for the better but there is still a long way to go. We feel it’s crucial for the industry and audiences at large not to lose the voice and talent of women in theatre after they become parents.

Central to the Baba’s Song project is our aim to highlight the needs of working mothers and to champion a new way of working. We will be conducting research by talking to theatre venues, asking if they are doing anything to accommodate touring families, if they need more information on what they could do to support touring families and what they might like to do if they had the funds. We will ask them if they can recommend family friendly accommodation in the area and if they know of any ad hoc childminders. If they don’t, and we discover these things, we will ask if they are open to passing on our experiences to other artist parents who perform at their venues in the future?

We will be contacting theatre companies with experience of combining their work and family life to ask what challenges they have faced but also which venues, touring accommodation, rural touring producers etc have been supportive and helpful.

We will explore options for performing daytime shows in community settings where childcare is already available and will contact venues and rural touring producers about putting childcare options into place to accommodate audiences of mothers watching a daytime performance.

We will compile all this information and post on this blog as an accessible online resource.


What we’re learning

When it comes to starting a family, women in the theatre industry are faced with unique challenges. Lack of flexible childcare availability, unsociable and inflexible working hours, and travel away from home are just a few of the issues that prevent women from returning to work in theatre. It’s quite clear from our own experience …


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The Wardrobe Theatre
4th Sep – 5th Sep
8pm | £10


Straw Kitchen Logo - Bird on Cup

The Straw Kitchen
21st Sep
7:30pm | £10 




Theatre Shop Clevedon
4th Oct
7:30pm | £12